You’ve hardly heard a peep from me in the last couple of weeks and I’ve got loads to do so I thought I better get started! There’s a few blogs in the works at the moment, so keep an eye out for them because they’ll be up soon.
Aaannyywayy, I wanted to catch you mob up on a couple of the shows that I saw in London. So while my tiddas were visiting Paris for a couple of days, I tracked my way across London on my own to see Marrugeku’s latest work Gudirr Gudirr…
The animals hear, the land knows. Listen. The language is dying. Young men are hanging themselves. Bulldozers clear our ancestor’s land and gas pipes will soon cut the sea where we fish. – Gudirr Gudirr
Dalisa Pigram curls her body, hooking her feet into a fishing net suspended metres above the stage. Her movement is fluid, powerful and arresting. Her physicality expresses the fusion of her Aboriginal, Asian and European heritage. Gudirr Gudirr is deeply rooted in identity and locality – Broome – the land, the culture and the community.
This intimate solo dance and video work by Marrugeku illuminates the struggles of a culture affected by colonisation, a land fractured by industrialisation and a community born out of this history. Broome was exempt from the White Australia Policy due to the pearling industry; as a result, the community has a unique, rich and diverse cultural heritage. Gudirr Gudirr explores deeply personal and complex experiences of identity as well as the confusion and despair that continue to take the lives of too many young Aboriginal people in the Kimberleys.
The tide is turning on my community in many ways today, not only the urgency to keep language and culture alive but also with the rapid rate at which some of our young people are taking their own lives. – Dalisa Pigram
Dalisa conceived the work in consultation with her grandfather, Yawuru law-man Patrick Dodson. He told her to start with the little guwayi bird that call to warn the turning of the tide, and it is from this little bird that the work takes its name – Gudirr Gudirr. Collaborating with famed international artist and choreographer Koen Augustignen (from Belgian dance company les ballets C de la B), and acclaimed visual artist Vernon Ah Kee, Gudirr Gudirr presents an astonishing visual score.
Dalisa is a Yawuru and Bardi woman from the Kimberley region. She is a founding member and Co-Artistic Director of Marrugeku and is a leading female dancer of the Australian stage. Her unique dance language embodies a distinctive voice from North Western Australia, which she draws on to capture this moment in time for her people.
Here’s the trailer to give you a proper sense of the show…
Gudirr Gudirr is an incredible and confronting dance work. It’ll be showing as part of Sydney Festival at Carriageworks from 16-19 January so I very much recommend you check it out! $30 tickets for community for any performance.
You can buy tickets here: http://www.sydneyfestival.org.au/2014/Theatre-and-Dance/Gudirr-Gudirr/
by Louana Sainsbury